Every minute up until the fellows arrived, it still felt like it wasn’t really happening. I mean, we were here and ready, they were on their way, the excitement and anticipation was building to a fever pitch, but we were still standing on an empty campus. It wasn’t until the fellows started trickling into the amphitheater for orientation that things got real.
Seeing all these people whose faces and work we’ve been looking at for months felt like seeing old friends. There were hugs all around and animated chit chat while everyone got settled. After orientation, which included a tour of the campus as well as important warnings (coyotes! rattlesnakes! hornet’s nests!), we all sat down to a very lovely dinner al fresco, courtesy of Chef Juana. There was a tense moment when Jennifer Higdon and I started to serve ourselves food and then got sternly rebuked by the kitchen staff, who insisted on serving us, but the fabulous food made up for that. I sat with the Passepartout Duo (Nicoletta Favari and Christopher Salvito), and the percussionists Evan Saddler, Jeff Stern, and Jordan Curcuruto. It seems that percussionists not only have strength in numbers here, they all like to hang out together, too.
After the first few bites, Jeff turned to me and asked, “So is this representative of all the meals here? Because I could get used to this.” I honestly didn’t know the answer, because that was also the first meal I had on campus. So I told him not to get his hopes up too high, and especially not to expect Matthew to always be walking around with a bottle of red in one hand and a bottle of white in the other asking us which we preferred.
We let the fellows rest and settle in for the rest of the evening, and the next day we got right to work rehearsing. There’s nothing like the sound of thirty musicians rehearsing away all at once. For me, it brings back so much nostalgia and a feeling of home-ness. This is what my spiritual home should sound like: a glorious cacophony of people all pouring their hearts into their passions, together.
In the evening, the ensemble gave a short history of Eighth Blackbird during the hour before dinner. After dinner, we laid bare our core values and core purpose as well as our Big Hairy Audacious Goals (B.H.A.G.s), then gave them some paper and tasked them with searching for their own. As we walked around, we heard some fellows doing deep soul-searching and some fellows genuinely struggling with how to articulate what they thought they understood so well about themselves. One group had already gone through this process a few years ago, but decided to scrap everything they had and start anew. Some people had several pages full of brainstormed ideas. Some had blank pages.
These sheets will be put up for the Blackbird Creative Lab community to view, but I will not be posting photos or telling you what they wrote, nor will you be seeing anything on social media. We want our fellows to feel comfortable being honest with themselves and with each other, and it’s a very vulnerable process to go through. Our hope is that our little community will collectively help each and every one of these fellows walk away with a clearer understanding of not only who they are as artists, but who they want to become. I think it’s safe to say we got off to a very good start.