Last week we went straight from our Richmond Playbook performance to Lansing, where we embarked on a whirlwind three days of residency activity and a performance at Michigan State University.
Spring weather greeted us on the first day, where we kicked off our visit with a presentation for the woodwind convocation. Matthew was busy rehearsing with the percussion ensemble, and Lisa’s flight got terribly delayed, so we ended up playing a few solos and duets before fielding questions from the students. We’ve had a few travel mishaps this season, so we’ve gotten quite good at regrouping quickly (pun intended).
After the convocation, we divided and conquered not one, not two, but three sax quartet coachings at once! The saxophone department is really top notch, and we were all blown away by the level of playing. I heard one sax quartet play a wonderful composition by their baritone player, who arranged it for sax quartet when he couldn’t get a string quartet to play it (whomp, whomp). When Lisa finally arrived, she, Nick and Nathalie gave a talk on composition, and Michael ended his night with yet another sax quartet coaching.
The next day, we got up bright and early to play for about a hundred 7th graders at Chippewa Middle School, where the orchestra program is bigger than the band (about the only time I’ve ever heard of that happening). They were attentive and rowdy, your typical 7th-grade kids, and we gave them a good taste of some classic Eighth Blackbird fare. Then it was a piano chamber music masterclass, a woodwind masterclass, a radio interview, a composition reading, a clarinet masterclass, and a percussion ensemble concert. Trust me, there was wine at the end of that day.
The final day was our performance day, so we kept it light with just an interview with me and Nathalie in the middle of the day. We were the inaugural visiting artist of their new Entrepreneurial Artist Series (not sure if I got that name right), generously supported by the Michigan State University Federal Credit Union, so the university wanted us to talk a bit on-camera about what being an entrepreneur means and the importance of arts education. We performed in Fairchild, which is actually a double hall, which I’ve never seen before. On one end, it’s a 400-seat hall, and on the other, 3500 seats, with a shared stage in-between. We performed in the smaller hall, of course, but it was well-attended: Lab alums Nina Shekhar, Nick Zoulek and Jocelyn Zelasko and our beloved Matt Albert were among the illustrious (at least to us) audience.
Next we’re off to UNCSA to do a residency that was originally scheduled in February but canceled due to the polar vortex. Hopefully the spring weather will hold up…