rehearsing Bach with Chris Thile
reheasing Mozart with Chris Thile
with Chris Thile
onstage at Symphony Center
with Chris Thile
By some freak alignment of the stars, we were asked to be a guest on Live From Here with Chris Thile this past Saturday, which broadcast from our very own Symphony Center. We didn’t get much notice, so flights were changed, babysitters frantically booked, and lots of last-minute rehearsals added to the calendar.
The production crew started working at the crack of dawn on Friday morning – there is SO MUCH equipment – and they were still there when we left after our sound check, which was around 10:30pm. I can’t remember the last time we had a rehearsal scheduled to start at 9:15pm, but this is the only way they can cram everyone in the day before the show. Chris Thile (AKA the musical McDreamy) met with us at the top of our rehearsal to run through a short Bach Prelude with Matthew and Nick and a Mozart duo excerpt with me. I was more than a little nervous meeting him and playing with him, because, come on, he’s famous. Like, not just musician-famous, really famous. He could so easily be a diva or a jerk, but I’m happy to report that he’s a pretty great guy. Also, his production team and show band seem to really like him, which in my mind is the real litmus test since they’re on the road with him.
I don’t know where he gets his energy, but it is infectious. While playing through the duo with me, he kept uttering “ooh, amazing, awesome” in response to Mozart’s compositional wit as if it was the first time he had heard it, even though he probably knows it like the back of his hand. But his enthusiasm is genuine, his appreciation sincere, and it’s so refreshing to be around someone who still has child-like reactions to music when he could so easily be jaded. (And all this at the end of a gazillion-hour-day of rehearsal!)
We got more of an idea of how the show would shape up on Saturday during the afternoon rehearsal, but still had no idea of the running order. Every time we asked, we were told that they didn’t know and that “things keep changing up until the last minute”. So we watched the actors hone their very funny sketches and improv sets, heard snippets of Gaby Moreno’s incredibly versatile voice, listened to the show band do everything from Alicia Keys to show tunes, and caught bits of Chris rehearsing his host duties, wondering how everything was going to come together. About half an hour before going live, we were handed a still-warm-from-the-printer set order with timings. I was reminded of Tina Fey saying about SNL: “the show doesn’t go on because it’s ready; it goes on because it’s 11:30”. This show is definitely the SNL of radio.
The live show starts with an audience warmup, where Chris goes out and takes requests. Apparently people always ask for Bach. So he launched into an astoundingly perfect, blazingly fast rendition of the Gigue from the D minor Partita. I was watching on the monitor backstage and I think I had to physically pick my jaw up off the floor when he was done. Remember when I said he was the musical McDreamy??
Because “dead air is the enemy”, we had to be waiting in the wings and walk onstage while the previous act was still on so we could be ready as soon as Chris introduced us. It’s a little less than ideal to be clutching your instrument backstage, getting cold, and then quite literally run onstage for a 3-minute piece, and then wait twenty minutes in the wings again before the next 3-minute piece. But I can’t say it wasn’t exciting. Plus, I was able to watch almost the entire show from the wings.
I must admit that I was never the biggest fan of Prairie Home Companion. I did listen to a few shows, and enjoyed many parts of them, but there was always something I didn’t quite get about it. I think the insider jokes about being Midwestern/Minnesotan were lost on this Los Angelean. In any case, Chris Thile has really made this show his own, and IMHO it’s more widely appealing and really entertaining. He’s a great personality and is a pretty unbelievable musician. If you didn’t catch the show live, go here to listen. And if you haven’t listened because Prairie Home Companion wasn’t exactly your thing, give Live From Here a try – you won’t regret it.