The Queen City

We ended our whirlwind tour with almost a week in Cincinnati participating in the Music Now/National Homecoming festival. We played five performances of a repertory concert with the ballet, and a concert at the National Underground Railroad Freedom Center with Will Oldham and Bryce Dessner as our guests. 

We were treated to some beautiful spring weather, which I took advantage of to explore Over-the-Rhine. Besides the many many hip places to eat and drink, there are numerous boutiques, both for men and women, and I somehow found my wallet a lot lighter after a few days of walking around (Continuum, The Most Beautiful Thing in the World Is, and MiCA 12/V, I’m talking to you). 

The National Homecoming venue was at Smale Park, on the banks of the Ohio River right under the Roebling Bridge. We played indoors at the National Underground Railroad Freedom Center a short walk away, so I didn’t get to experience any of the awesome acts gracing that stage except for the sound checks that echoed in the morning air on my way to rehearsal. Our ballet performance were at the Aronoff Center, in the heart of downtown, and the tech rehearsals and performances kept us either coming or going from there most of the day.

It took some adjusting to fit ourselves into the pit. We ended up with Matthew set up on the wrong side of the ensemble, but with audio monitors and a TV monitor for us it all worked out okay. It’s not unusual for us to play the same program five times in a row, but it is unusual for us to play it in the same place five times in a row. The pit became a sort of de facto office for that week – it was luxurious to leave our stuff set up and just come for the performance without building in setup time or dragging instruments around. The one frustrating part – and this was also the case for me when I played opera and ballet at the Kennedy Center – was that we were never really able to see the dancing. Even with the monitor, you can’t really look unless you’re not playing, which we were pretty much all of the time. Luckily there’s some archival footage we can dig into later.

The audience apparently really loved the program. Every night people stopped us as we walked back to the hotel and commented on how much they loved the music and the choreography. One of the donors who was responsible for supporting the program, Mark Schlachter, even created two sculptures inspired by Eighth Blackbird (see picture above). He gifted the smaller one to us, so we’re anxiously awaiting its arrival in the mail. 

All in all, it was a pretty great way to end our four-city tour, and the season in general. We returned home to 70-degree weather in Chicago and blooms on the trees. It’s been quite a journey this season, from Milan to Budapest to Cincinnati, and it certainly feels like we’ve packed a lot into a short time. We head to Des Moines this weekend to perform at Drake University for our official last concert of the season, then we have our benefit bash, and then it’s preparation for the second Blackbird Creative Lab, which promises to be just as exciting (if not more!) as the inaugural one.


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